SOUNDING
I make music for and with people and groups of all sorts. Regardless of the context, my work is highly collaborative in nature, prioritizing art’s ability to connect, heal, and transform those involved in its creation and realization. As of late, I have been particularly interested in the body’s place in music, and sound’s ability to facilitate “real” experiences for audiences and performers. Below is a selection of projects I’ve been involved in recently, followed by some documentation of my compositional practice.
COMPOSITIONS
Chamber Ensemble (3-7)
A map of all the places you could be, yet are not (2023)
flute, harp, dancer, and fixed electronics (also available with cello, and without electronics)
Between Breath and Light (2020)
flute, bass flute or alto flute, clarinet, bass clarinet (with optional video)
When will we return to the ocean’s infinity? (2020)
percussion, piano, contrabass, generative electronics
Folds Along a Continuum (2019)
tenor saxophone, percussion, electric guitar, piano (with optional video)
Two Portraits in Low Light (2018)
percussion, piano, contrabass
photo © Rita Taylor / The Banff CentreSolo
the memory machine [iteration 1] (2024)
piano and interactive/generative electronics
You, the rain (2023)
contrabass
The Body Becomes the Landscape (2022)
percussion
Impermanence Study 1 (2022)
creator(s)
Planting (2021)
flute and fixed electronics
A cyanotype of an aging yellow farmhouse, dwarfed by cottonwoods (2021)
flute and generative electronics
F.M.R.L. (2020)
grand piano
I am learning to: remember (2019)
piano and soundscape
Electronic
a song for Eszter (2022)
fixed media (also available for guitar and electronics)
in the absence of resistance (2019)
fixed media
For Thay (2019)
fixed media