Deep Time Iterations emerged over the course of a three week residency at Studio H in Metchosin, BC, Canada on the unceded territory of the Sc'ianew First Nation. What began as an intellectual and artistic inquiry into the use of transducers to amplify electronic instruments thereby (I hoped) resulting in a greater degree of embodiment on the part of the performer, quickly spun into a much deeper existential exploration of climate change, its sonic implications, and how our world might hear us.

Below are three moments from that journey, with more on the way (some video essays, impulse responses, improvisations, and a record).