Benjamin Portzen [he / him] (b.1998) is a composer, improviser, and movement artist who strives to make space for connection, healing, presence, and absence through immersive sound and movement works. By enabling performers and witnesses to be with time differently – often through alinear, cartographically-constructed scores – Ben offers the opportunity to create and interrogate relationships between bodies, ideas, sounds, and objects across, around, and through time. At present, Ben’s research interests include designing intelligent computer collaborators for composition and improvisation, illuminating the body as the locus of creative potential in the creation of sound works, the facilitation of “real” experiences for performers and audiences, and the ways in which artistic practice offers the opportunity for radical self-transformation and -dissolution.
Ben sees little boundary between artistic and religious practices, freely embracing the ritualism of repetition, and improvisation’s ability to put us in contact with the unknown by grounding oneself completely in the present. At this intersection, Ben explores the liminal space between creativity and destructivity in a process he has found to continually reveal fascinating ways in which art can help us live with greater depth, beauty, and grace.
Ben holds a Bachelor’s of Music from Lawrence University (‘21) where he studied composition with Asha Srinivasan and Joanne Metcalf, piano with Anthony Padilla, improvisation with Matt Turner, and dance with Margaret Paek. As a 2021 Thomas J. Watson Fellow, Ben spent one year across Europe and Canada exploring the role art can play in imagining and building a more equitable, sustainable, and compassionate future by embracing our unknowns with more fascination than fear.
portzen_short_bio.pdf, portzen_long_bio.pdf
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