I move in ensemble and alone, and create scores for movers of all sorts. My movement practice, even more so than being an act of self expression, is a process of self realization. Moving – especially in improvised contexts – presents the opportunity to place ourselves face-to-face with our desires, aversions, biases, and perhaps most importantly our greatest potentials. In this way, I am inescapably and unapologetically myself while dancing. It is always my aspiration that this awareness transcends the studio into the everyday.